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Developed messaging, branding & full B2B/B2C comms plan for Nokia’s OZO, including trade shows, press events & media reviews
Managed multiple seasons of Netflix’s "Locke & Key", leading consumer campaigns & supporting the red carpet premiere event
Secured a coveted spot for the book in The New York Times' holiday gift guide
Developed & executed the full comms plan for the theatrical & streaming premiere of "Prospect", driving audience engagement
Led talent relations & managed Netflix premiere rollout for "V-Wars", coordinating interviews, press events & meet & greets
Led national PR for Cinema Week, helping to revive theaters post-COVID with in-theater activations & industry-wide engagement
Led the viewership campaign for Other Space on DUST, driving new audiences & securing major press for Paul Feig’s relaunch
Crafted and led the comms strategy for the Smithsonian & IDW’s coloring book line, elevating sales and partnership visibility
Spearheaded the limited theatrical release campaign for "Hearts Beat Loud", boosting ticket sales and visibility for the film
Led U.S. market entry strategy for European brand, driving awareness and growth
Led audience engagement campaigns & talent relations for IDW's "Wynonna Earp", managing Comic-Con events, interviews, etc.
Served as Line & Copy Editor, Proofreader & Project Manager, overseeing every detail of the publishing & creative process
Secured a Glowing review feature in The New York Times
Managed the Netflix premiere rollout for "October Faction", engaging genre fans worldwide
Secured Pat Vegas’ graphic novel in HuffPost’s celeb gift guide, boosting book sales & visibility for the iconic rock legend
Secured exclusive feature in Rolling Stone, increasing sales of the DVD release
Led global launch with Samsung, Warner Bros & Hollywood directors, securing top-tier coverage & driving widespread adoption
Relaunched memoir, "Sister of Darkness", driving it to sell out its paperback run & hit #1 on Amazon’s genre best-seller list
Drove 1.1M+ trailer views via IGN & influencers, making it Full Moon Features’ most-watched film of the year